Exhibition #42 – Klaus Haapaniemi: Black Lake

31.3.2017–30.4.2017

A remote cottage in Nordic Iceland overlooking a dark, steaming pond with strange foliage and mysterious lava stones. Black lake is Klaus Haapaniemi & Co’s new collection inspired by a description of this volcanic landscape and a magical land.

Klaus Haapaniemi & Co was first commissioned by artist Björk Gudmundsdottir to create bespoke furniture for her remote summer cottage in Iceland. Her description of the majestic surroundings sparked Klaus’ imagination to create woven tapestry that brings the imagined view to life.

Before the furniture starts its journey to Iceland it’s only once showcased in Helsinki Lokal gallery with other items of the Black lake collection. Special products of the Black Lake collection including printed wool scarves and velvet clutches are created to be sold exclusively in Lokal.

Black lake collection contains Klaus Haapaniemi & Co’s love for both craft and cutting edge digital production.The furniture is custom built by Nikari in Finland, the tapestry is woven in an old textile mill in England and the pond rug is printed on wool in Netherlands.

Explore: Exhibitions

SOMMARSTILLEBEN

15.6.–24.8.2025
This summer, Lokal makes an all-summer-long expedition to Billnäs, an old ironworks village to the West of Helsinki. Bringing beauty in the form of artwork, crafts and handmade homeware into a space which still starkly echoes its unique history, the Sommarstilleben exhibition is a celebration of Lokal’s core values. The still lifes are an ode to the magical, fleeting nature of the Nordic summer. The abundance consists of works in various mediums and materials, in varying scale and subject, by a number of Finnish and Finland-based contemporary artists and artisans.

Exhibition #103 – Linda Linko & Milla Vaahtera / Serifs and Jellybeans

4.4.–24.5.2025
The works in Linda Linko’s and Milla Vaahtera’s exhibition form a common perspective on making art – through joy and a deep exploration of forms. Their work is united by a striving for optimism, without forgetting sensitivity. Both also perceive colours and shapes in the same way as typography. “We see the foot, the ends, the curve, the gravity and the relations – the positive and negative space. Eventually, the boundaries between typography, landscape painting, portraiture and glass sculpture fade awaym, as long as you look closely enough.”

Exhibition #102 – Didi NG Wing Yin / Not Just Something

28.2.–29.3.2025
“Through carving, I aim to reveal the unseen essence of wood. Every mark, texture, and cut represents my reflections on the material, inviting viewers to connect with the wood’s silent yet hidden language. Each artwork is a record of thinking through making, where each piece embodies my study of the nature of wood itself.”