Outi Martikainen | Unordinary Situations I

Year2024
MediumDigital jaquard weave, natural indigo dye, polyester, linen
Size66 cm x 69 cm

Description

Morbi mattis ullamcorper velit. Curabitur at lacus ac velit ornare lobortis. Etiam sit amet orci eget eros faucibus tincidunt. Cras risus ipsum, faucibus ut, ullamcorper id, varius ac, leo. Donec interdum, metus et hendrerit aliquet, dolor diam sagittis ligula, eget egestas libero turpis vel mi.

Cras risus ipsum, faucibus ut, ullamcorper id, varius ac, leo. PhasellMorbi mattis ullamcorper velit. Curabitur at lacus ac velit ornare lobortis. Etiam sit amet orci eget eros faucibus tincidunt. Cras risus ipsum, faucibus ut, ullamcorper id, varius ac, leo. Donec interdum, metus et hendrerit aliquet, dolor diam sagittis ligula, eget egestas libero turpis vel mi.

Cras risus ipsum, faucibus ut, ullamcorper id, varius ac, leo. Phasellus leo dolor, tempus non, auctor et, hendrerit quis, nisi. Donec quam felis, ultricies nec, pellentesque eu, pretium quis, sem. Etiam ultricies nisi vel augue. Aenean massa.s leo dolor, tempus non, auctor et, hendrerit quis, nisi. Donec quam felis, ultricies nec, pellentesque eu, pretium quis, sem. Etiam ultricies nisi vel augue. Aenean massa.

Outi Martikainen is a classically trained textile artist. Her works are influenced by craftworks and the practice of observation, which is so central to art. A distinctive feature of her work is the recording of small perceptions and memories in a concrete form, whether that’s individual works composed of minor details or larger installations made up of big panels. Martikainen often finds her materials in everyday life and gives them a new purpose.

“Depending on the (carpet) weaver, there will be some unevenness in the edges, or even in the patterns there might a mistake. But they are left there, because human beings are not perfect. And that can be accepted. When I make my own work, I like that too, not to mind the borders. I want it to be visible that I have made each one of them. There the string pulled a little tight – oops, doesn’t matter. And there it went a bit loose – alright, that doesn’t matter either. That does not effect the image. If someone is looking at the edges, they are looking at the wrong piece.”



Outi Martikainen